Afterword

The chapter is reflective of the fact that the book constitutes part of a narrative in formation, and, even more importantly, a world in transition: climatic, health, social, political and economical. Thus, it ends by emphasising the importance of recognising flows, possibilities and inter-, rather than fixed states. The theatre, which interconnects (to) all of the above, which affords this book its primary material, and which always motivates the effort, is also at a time of transitioning, adapting, reformulating and implementing new modes, practices and ways of surprising, engaging, surviving and inspiring. Some of these, this book has logged; others, it is very aware that it can imagine but not anticipate—and they, I hope the reader might agree, form the critical analysis and historiographies of our future(s).