Working in Regress and Beyond, with Rural Material Culture [1]
摘要
This contribution brings together and compares selected works by artist Claudio Costa, architects collective Superstudio, and photographer and designer Mario Cresci. It discussed the way in which they engaged with rural material culture in 1970s, a time when Italy was rehabilitating its pre-industrial heritage. Despite their respective differences, these works adopted multiple media to make rural artefacts talk and provide existential, educational, socio-political, and cultural models.