Objects, Things, Hyperobjects. A Philosophical Gaze on Contemporary Design

Through an applied research project in the field of contemporary design, the essay identifies and illustrates the passage of three philosophical transitions: the idea of the object as a design project (Flusser, Sottsass, Mendini) – first transition -, crosses over to the realm of the thing (Heidegger, Bodei, Rigotti) – second transition – until it reaches the notion of the hyperobject (Harman, Morton), – third transition – involving human and non-human entities. Through reclaiming for design the possibility of becoming a trigger for divergent thinking, the object acquires new human and dialogic qualities. The transition from the object-function to the object-thought [1] transforms the meaning of the product to the extent that it is no longer a passive element of dialogical discourse but rather the triggering actor of that same process of confrontation. In this perspective, the object transforms from an exclusive commodity with normal function into a thing full of meaning and expressive possibility. Such objects are connected to the individual and the intellectual relationship they establish. From a posthuman perspective (Braidotti), they are narrative subjects of a reflection increasingly striving for a pluriverse coexistence beyond humankind itself. (Haraway, Caffo). The last transition, to the hyperobject, is illustrated through a design experience at the boundary between these three value transitions. The final hyperobjects designed have their primary meaning to interrogate and raise awareness around diverse relationships – with ecosystems, beyond the human – unhinging an outdated idea that sees the object forcibly relegated to the world of practical and tangible consumer commodity.