Unit 6 Lesson: Coordination Techniques of Instructive-Educational Activities in the Field of Neuroaesthetics Using Problem-Based Learning (PBL)

All creative processes begin by establishing an end goal, the realization of a vision to be. This intended purpose is the one directing a creator’s (or an author’s) experience of immersion in a thorough process of exploration. This process establishes the author’s ontological positioning and their relationship to the desired end result. Moreover, immersion in exploration creates space for identifying the best methods for uncovering and acquiring the knowledge to help refine this ontological positioning. Beliefs and attitudes in relation to the process of bringing the vision to life begin to more clearly emerge, building the grounds for epistemological inquiry. These personalized learning tools help inform the decisions made in the selection of the instruments and methods deemed appropriate for creative production. Alternatively, they can equally help in the selection of the right tools for scientific analysis and subsequent theory building. Thus, the scope of the intended result becomes more visibly delineated, regardless of its scientific or artistic nature. Finally, the ensuing strengths and limitations of these final products create a direct line of communication between the creator and the intended audience. Critiques and interpretations of the works are then issued by the public, in a dialogue that can continuously assess and reappraise these visions over time. In other words, differences in the work of creators and researchers, artists and academics begin to blur. Their projects, ideas or theories are meant to be sent out into the world in the hopes of either revealing something novel or in the hope of offering solutions to an existing predicament. Sometimes, the intended result is to spark inspiration. Other times, the work is meant to merely soothe, to offer relief of some kind. Hopefully, all proposed goals take place concurrently.