It’s Not Enough to Just Point a Camera

Making photographs has always been a collaborative act. A myriad of creative decisions, social interactions, divisions of labour, and many other forms of contribution are usually buried in service to the photographer’s ‘unique vision’. But what takes place when these processes of collaboration, co-production, or social encounter are positioned as an integral part of the work presented to an audience? When the ‘subjects’ are recast as ‘participants’ taking part in a socially-engaged, community, collaborative, or participatory photography practice?Photographer Anthony Luvera in conversation with curator Sarah Allen reflect on a number of practical, theoretical, methodological, and ethical issues that can arise when working collaboratively. These questions form a significant thread running through Luvera’s practice as an artist, writer and educator, in the long-term collaborative projects created with people who have experienced homelessness in cities and towns across the UK. Themes of authorship, agency, consent, power, and representation are particularly highlighted, exploring lines of questioning such as: Who stands to benefit from collaboration? Who determines the parameters of an invitation to participate? Whose needs, intentions or ambitions can be fulfilled, and to what ends?