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<p><span data-olk-copy-source="MessageBody">This open-access volume is the first English-language study of the vibrant contemporary landscape of Italian youth-oriented television. TV shows addressed include internationally popular series such as&#xa0;<em>SKAM Italia</em>,&#xa0;<em>Baby</em>,&#xa0;<em>Summertime, We Are Who We Are</em>,&#xa0;<em>Zero</em>,&#xa0;<em>Prisma</em>,&#xa0;<em>My Brilliant Friend</em>,&#xa0;<em>Mare Fuori</em>, and many others. The collection explores the changing representation of young people, while contextualising these developments historically and industrially. The opening section examines key issues shaping contemporary Italian youth television, such as fashion, place, music, and language, with a focus on how Italian producers and outlets are adapting local practices in response to transnational production models and international distribution networks. The second and third sections offer focused readings of Italian youth TV series in this contemporary landscape, drawing on a wide range&#xa0;of thematic angles, from immigration to queer identities. Finally, the book concludes with interviews with major industry figures, who reflect on recent adjustments in production and distribution practices by public service broadcasters and digital platforms.&#xa0;</span></p>

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Contemporary Italian Youth Television

  • 书籍

  • 出版模式：

    开放获取

  • 发表日期：

    2026年

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摘要

This open-access volume is the first English-language study of the vibrant contemporary landscape of Italian youth-oriented television. TV shows addressed include internationally popular series such as SKAM Italia, Baby, Summertime, We Are Who We Are, Zero, Prisma, My Brilliant Friend, Mare Fuori, and many others. The collection explores the changing representation of young people, while contextualising these developments historically and industrially. The opening section examines key issues shaping contemporary Italian youth television, such as fashion, place, music, and language, with a focus on how Italian producers and outlets are adapting local practices in response to transnational production models and international distribution networks. The second and third sections offer focused readings of Italian youth TV series in this contemporary landscape, drawing on a wide range of thematic angles, from immigration to queer identities. Finally, the book concludes with interviews with major industry figures, who reflect on recent adjustments in production and distribution practices by public service broadcasters and digital platforms.