<p>The Indonesian archipelago is host to some of the earliest known rock art in the world<sup><CitationRef AdditionalCitationIDS="CR2 CR3 CR4" CitationID="CR1">1</CitationRef>–<CitationRef CitationID="CR5">5</CitationRef></sup>. Previously, secure Pleistocene dates were reported for figurative cave art and stencils of human hands in two areas in Indonesia—the Maros-Pangkep karsts in the southwestern peninsula of the island of Sulawesi<sup><CitationRef CitationID="CR1">1</CitationRef>,<CitationRef AdditionalCitationIDS="CR4" CitationID="CR3">3</CitationRef>–<CitationRef CitationID="CR5">5</CitationRef></sup> and the Sangkulirang-Mangkalihat region of eastern Kalimantan, Borneo<sup><CitationRef CitationID="CR2">2</CitationRef></sup>. Here we describe a series of early dated rock art motifs from the southeastern portion of Sulawesi. Among this assemblage of Pleistocene (and possibly more recent) motifs, laser-ablation U-series (LA-U-series) dating of calcite overlying a hand stencil from Liang Metanduno on Muna Island yielded a U-series date of 71.6 ± 3.8 thousand years&#xa0;ago (ka), providing a minimum-age constraint of 67.8 ka for the underlying motif. The Muna minimum (67.8 ± 3.8 ka) exceeds the published minimum for rock art in Maros-Pangkep by 16.6 thousand years (kyr) (ref. <sup><CitationRef CitationID="CR5">5</CitationRef></sup>) and is 1.1 kyr greater than the published minimum for a hand stencil from Spain attributed to Neanderthals<sup><CitationRef CitationID="CR6">6</CitationRef></sup>, which until now represented the oldest demonstrated minimum-age constraint for cave art worldwide. Moreover, the presence of this extremely old art in Sulawesi suggests that the initial peopling of Sahul about 65&#xa0;ka<sup><CitationRef CitationID="CR7">7</CitationRef></sup> involved maritime journeys between Borneo and Papua, a region that remains poorly explored from an archaeological perspective.</p>

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Rock art from at least 67,800 years ago in Sulawesi

  • Adhi Agus Oktaviana,
  • Renaud Joannes-Boyau,
  • Budianto Hakim,
  • Basran Burhan,
  • Ratno Sardi,
  • Shinatria Adhityatama,
  • Andrea Jalandoni,
  • Hamrullah,
  • Iwan Sumantri,
  • M. Tang,
  • Rustan Lebe,
  • Iswadi,
  • Imran Ilyas,
  • Abdullah Abbas,
  • Andi Jusdi,
  • Dewangga Eka Mahardian,
  • Fadhlan S. Intan,
  • Sofwan Noerwidi,
  • Marlon N. R. Ririmasse,
  • Irfan Mahmud,
  • Akin Duli,
  • Laode M. Aksa,
  • M. Nur,
  • Nasrullah Aziz,
  • Sri Wigati,
  • Iksam,
  • Faiz,
  • M. Sabri,
  • Fardi Ali Syahdar,
  • Eriani,
  • N. A. Hidayatullah,
  • Suryatman,
  • Laode Darma,
  • Nurmin,
  • Laode Zulman,
  • S. H. Sindara,
  • Andi Muhammad Saiful,
  • Pindi Setiawan,
  • Adam Brumm,
  • Maxime Aubert

摘要

The Indonesian archipelago is host to some of the earliest known rock art in the world15. Previously, secure Pleistocene dates were reported for figurative cave art and stencils of human hands in two areas in Indonesia—the Maros-Pangkep karsts in the southwestern peninsula of the island of Sulawesi1,35 and the Sangkulirang-Mangkalihat region of eastern Kalimantan, Borneo2. Here we describe a series of early dated rock art motifs from the southeastern portion of Sulawesi. Among this assemblage of Pleistocene (and possibly more recent) motifs, laser-ablation U-series (LA-U-series) dating of calcite overlying a hand stencil from Liang Metanduno on Muna Island yielded a U-series date of 71.6 ± 3.8 thousand years ago (ka), providing a minimum-age constraint of 67.8 ka for the underlying motif. The Muna minimum (67.8 ± 3.8 ka) exceeds the published minimum for rock art in Maros-Pangkep by 16.6 thousand years (kyr) (ref. 5) and is 1.1 kyr greater than the published minimum for a hand stencil from Spain attributed to Neanderthals6, which until now represented the oldest demonstrated minimum-age constraint for cave art worldwide. Moreover, the presence of this extremely old art in Sulawesi suggests that the initial peopling of Sahul about 65 ka7 involved maritime journeys between Borneo and Papua, a region that remains poorly explored from an archaeological perspective.