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Narrative cave art in Indonesia by 51,200 years ago

  • Adhi Agus Oktaviana,
  • Renaud Joannes-Boyau,
  • Budianto Hakim,
  • Basran Burhan,
  • Ratno Sardi,
  • Shinatria Adhityatama,
  • Hamrullah,
  • Iwan Sumantri,
  • M. Tang,
  • Rustan Lebe,
  • Imran Ilyas,
  • Abdullah Abbas,
  • Andi Jusdi,
  • Dewangga Eka Mahardian,
  • Sofwan Noerwidi,
  • Marlon N. R. Ririmasse,
  • Irfan Mahmud,
  • Akin Duli,
  • Laode M. Aksa,
  • David McGahan,
  • Pindi Setiawan,
  • Adam Brumm,
  • Maxime Aubert

摘要

Previous dating research indicated that the Indonesian island of Sulawesi is host to some of the oldest known rock art13. That work was based on solution uranium-series (U-series) analysis of calcite deposits overlying rock art in the limestone caves of Maros-Pangkep, South Sulawesi13. Here we use a novel application of this approach—laser-ablation U-series imaging—to re-date some of the earliest cave art in this karst area and to determine the age of stylistically similar motifs at other Maros-Pangkep sites. This method provides enhanced spatial accuracy, resulting in older minimum ages for previously dated art. We show that a hunting scene from Leang Bulu’ Sipong 4, which was originally dated using the previous approach to a minimum of 43,900 thousand years ago (ka)3, has a minimum age of 50.2 ± 2.2 ka, and so is at least 4,040 years older than thought. Using the imaging approach, we also assign a minimum age of 53.5 ± 2.3 ka to a newly described cave art scene at Leang Karampuang. Painted at least 51,200 years ago, this narrative composition, which depicts human-like figures interacting with a pig, is now the earliest known surviving example of representational art, and visual storytelling, in the world3. Our findings show that figurative portrayals of anthropomorphic figures and animals have a deeper origin in the history of modern human (Homo sapiens) image-making than recognized to date, as does their representation in composed scenes.