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<p>The article examines the culture of quotation in contemporary poetry using the reception of the Middle Ages as an example. In this field, there has been a&#xa0;distinct boom for some time, especially since the 1990s, which can partly be attributed to the poet and essayist Thomas Kling, whose citation practice, characterized by a&#xa0;›joy of quoting‹, has become a&#xa0;model. Starting from him, a&#xa0;›citation circle‹ in the sign of the Middle Ages is analyzed. It includes prominent poets such as Marcel Beyer, Ulrike Draesner, and, from the next generation, Anja Utler.</p>

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  • 期刊论文

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  • 发表日期：

    2026年2月26日

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  • Frieder von Ammon

摘要

The article examines the culture of quotation in contemporary poetry using the reception of the Middle Ages as an example. In this field, there has been a distinct boom for some time, especially since the 1990s, which can partly be attributed to the poet and essayist Thomas Kling, whose citation practice, characterized by a ›joy of quoting‹, has become a model. Starting from him, a ›citation circle‹ in the sign of the Middle Ages is analyzed. It includes prominent poets such as Marcel Beyer, Ulrike Draesner, and, from the next generation, Anja Utler.