Barometer oder Witterung?
摘要
In his scholarly work, Friedrich Gundolf pursues such an extensive apologetics of rhythm that, in its ubiquity, rhythm risks losing its conceptional base, thus dissolving time and again a rigid opposition between meter and rhythm. In contrast, Gundolf’s own parodistic poetry – by refusing its objects any kind of rhythmic adaptation – can be understood as an attempt at redefining the boundary between meter and rhythm.