Unverfügbarkeit: Autonomie und Kritik des Wollens in Hartmanns Gregorius

The themes of will and willing form a central but so far largely overlooked level of discourse in Hartmann’s Gregorius. At the heart of this discourse is the opposition between human and divine will, which is negotiated in terms of the tension between controllability and uncontrollability. To this end, Hartmann’s legendary romance takes recourse to a narrative pattern characteristic of, among others, the Latin legend of St. Brendan. Structuring the text and plot of Gregorius, it serves to present the protagonist’s voyages on the water as a surrender to the will of God. When the protagonist decides to leave the monastery island, however, the pattern is conspicuously deviated from. It is through this deviation that the second instance of incest emerges as a personally attributable result of the protagonist’s attitude toward his creaturely will – which requires correction – rather than as guilt in the moral-theological sense. In Hartmann, a quasi-mystical theology of the will is molded into a narrative. In clear contrast to its French source, his adaptation thus reflects on the limits of human self-determination and controllability from an immanent perspective, the relationship to the world, as well as a transcendental perspective, the relationship to God. The prologue and Gregorius’s tablet suggest that Hartmann’s legend also deals with uncontrollability on a meta-level, as it ponders the problem of how the transcendent can be represented through narrative.