<p>This article examines the acceptance speech as a&#xa0;textual type and analyzes it as a&#xa0;marginal genre of epidemic rhetoric. In this context, acceptance speeches prove to be performative stagings of literary identity and social values. Based on the speeches by Terézia Mora (<i>German Book Prize</i> <CitationRef CitationID="CR1">2013</CitationRef>) and Saša Stanišić (<i>German Book Prize</i> <CitationRef CitationID="CR2">2019</CitationRef>) at the <i>German Book Prize</i> the study focuses on the lexical, syntactic and pragmatic strategies the authors use. While Mora chooses an ironic-narrative approach, Stanišić uses his speech as a&#xa0;political statement. The study shows that acceptance speeches function as hybrid text types that oscillate between ritual, individual reflection and social positioning.</p>

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Zwischen Ritual und Selbstinszenierung

  • Eriberto Russo

摘要

This article examines the acceptance speech as a textual type and analyzes it as a marginal genre of epidemic rhetoric. In this context, acceptance speeches prove to be performative stagings of literary identity and social values. Based on the speeches by Terézia Mora (German Book Prize 2013) and Saša Stanišić (German Book Prize 2019) at the German Book Prize the study focuses on the lexical, syntactic and pragmatic strategies the authors use. While Mora chooses an ironic-narrative approach, Stanišić uses his speech as a political statement. The study shows that acceptance speeches function as hybrid text types that oscillate between ritual, individual reflection and social positioning.