Die inneren Grenzen der (schein)einheitlichen Nation

Through the analysis of some works by black women writers in Germany, in particular of the last novel by Sharon Dodua Otoo, Adas Raum, this article tries to reflect upon some of the challenges that their social place and aesthetics poses on some traditional notions of literary and cultural studies, specially on those models that are more philologically oriented. Concepts such as the nation and the border will be questioned from a postcolonial / decolonial feminist point of view.