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<p>In the digital age, the creation, production, and dissemination of audiovisual art increasingly characterized by participation, immersion, and fragmentation. This shift has also given rise to cultural forms that are more segmented and interest-based, thereby fostering a favorable network environment for film creation and re-distribution that transcends the limitations of spatial and temporal boundaries. This paper first clarifies the relationship between digital affordance and the reconfiguration of cinematic art into the canon. It then discusses the interactive role of film canonization and the extension of cultural memory within the cross-media ecosystem, analyzing how participatory culture expands the interpretive space of classic films.</p>

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The extension of cultural memory of classic films in the digital age

  • 期刊论文

  • 发表日期：

    2025年2月27日

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  • Zhaopeng Kong,
  • Zhengbang Jiang

摘要

In the digital age, the creation, production, and dissemination of audiovisual art increasingly characterized by participation, immersion, and fragmentation. This shift has also given rise to cultural forms that are more segmented and interest-based, thereby fostering a favorable network environment for film creation and re-distribution that transcends the limitations of spatial and temporal boundaries. This paper first clarifies the relationship between digital affordance and the reconfiguration of cinematic art into the canon. It then discusses the interactive role of film canonization and the extension of cultural memory within the cross-media ecosystem, analyzing how participatory culture expands the interpretive space of classic films.