Rivers as categories of order. A methodical assessment of the position of art geography

In art history, rivers are used to describe relational spatial constellations which enable the spatial distribution of specific styles of artworks in a topographical classification. River courses are used to delimit the distribution areas of buildings or objects of different genres in order to define artistic landscapes. According to this spatial concept, medieval wooden sculptures, for example, can be found between the Eider and Königsau (Danish Kongeå) and Romanesque churches can be found on the Meuse and Rhine, each with artistic characteristics which—as cultural units—can seldom be found beyond their designated natural borders. This article examines the methodological position of art geography, its role today and its potential for art history in general. Accordingly, it will present the broad outlines of the historiographical development of this field, summarise the current focal points and discuss application-oriented perspectives for medieval art history, taking digital humanities, in particular, into account.