<p>The 13th century AD in southern Africa is a period associated with the emergence of class-based society and the establishment of Mapungubwe as the capital of a regional state. This study reports on ceramics excavated from four households at Bosbokpoort, a small Mapungubwe settlement situated approximately 95&#xa0;km from Mapungubwe. By combining traditional stylistic analysis with chemical (pXRF) and mineralogical techniques (optical petrology), the research explores how pottery production and use reflected both regional Mapungubwe influences and local practices at the household level. The ceramic assemblage was predominantly characteristic of the Mapungubwe ceramic style, along with sherds from the Eiland ceramic facies. Mineralogical analysis indicated that the majority of the Mapungubwe ceramics at Bosbokpoort were made locally, with some produced elsewhere in the Limpopo River valley. The clay utilized in the manufacture of the Eiland ceramics were sourced from regions further to the south, where most Eiland communities occur. This approach highlights the active role of local communities in negotiating their identities and relationships within the larger Mapungubwe sociopolitical landscape.</p>

错误:搜索内容不能为空,请输入英文关键词
错误:关键词超出字数限制,请精简
高级检索

Compositional analysis of c13th century AD Mapungubwe ceramics in South Africa: regional, local and household connections

  • Juané Hurter,
  • Alexander Antonites,
  • Anders Lindahl,
  • Ceri Ashley

摘要

The 13th century AD in southern Africa is a period associated with the emergence of class-based society and the establishment of Mapungubwe as the capital of a regional state. This study reports on ceramics excavated from four households at Bosbokpoort, a small Mapungubwe settlement situated approximately 95 km from Mapungubwe. By combining traditional stylistic analysis with chemical (pXRF) and mineralogical techniques (optical petrology), the research explores how pottery production and use reflected both regional Mapungubwe influences and local practices at the household level. The ceramic assemblage was predominantly characteristic of the Mapungubwe ceramic style, along with sherds from the Eiland ceramic facies. Mineralogical analysis indicated that the majority of the Mapungubwe ceramics at Bosbokpoort were made locally, with some produced elsewhere in the Limpopo River valley. The clay utilized in the manufacture of the Eiland ceramics were sourced from regions further to the south, where most Eiland communities occur. This approach highlights the active role of local communities in negotiating their identities and relationships within the larger Mapungubwe sociopolitical landscape.