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<p>This study explores how virtual reality (VR) functions as a dynamic cultural interface, activated through participants' interactive engagement with virtual environments. It moves beyond a conventional focus on VR’s immersive and interactive properties to propose its interpretation as a conduit for meaning-making and the negotiation of dynamic cultural modelling and ententional process of knowing. To unveil VR’s potential as a cultural interface, the study examines participants’ interactions with VR technology not merely as signs of immersion but as indicators of deeper socio-cultural dynamics at work. By synthesizing Cobley’s (2016) biosemiotic approach to culture with the concepts of kinetic semiotics (Van Leeuwen, 2021) and postdigital embodiment (Otrel-Cass, 2023), this research analyzes the VR movie <i>Clouds Over Sidra</i> (<CitationRef CitationID="CR1">2015</CitationRef>), created in collaboration with the United Nations. The film offers a poignant glimpse into the experiences of Sidra, a refugee girl, as she navigates life within a refugee camp, including spaces like her school, play areas, and her family’s tent. Data was collected from 15 participants through videographed physical and virtual interactions, complemented by follow-up reflective interviews. This integrated framework enables the examination of how virtual spaces of suffering can be experienced as sites of postdigital embodiment, mediated by kinetic interactions in both physical and virtual worlds. Findings reveal that participants’ kinetic interactions with VR technology evoke embodied meanings that signify co-evolutionary semiotic adaptation.</p>

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“It Can Still Touch Your Feelings”: Kinetic Semiotics and Postdigital Embodiment as Markers of Dynamic Cultural Modelling Within the VR Umwelt

  • 期刊论文

  • 出版模式：

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  • 发表日期：

    2025年7月3日

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  • Rania Fawzy,
  • Kateryna Pilyarchuk

摘要

This study explores how virtual reality (VR) functions as a dynamic cultural interface, activated through participants' interactive engagement with virtual environments. It moves beyond a conventional focus on VR’s immersive and interactive properties to propose its interpretation as a conduit for meaning-making and the negotiation of dynamic cultural modelling and ententional process of knowing. To unveil VR’s potential as a cultural interface, the study examines participants’ interactions with VR technology not merely as signs of immersion but as indicators of deeper socio-cultural dynamics at work. By synthesizing Cobley’s (2016) biosemiotic approach to culture with the concepts of kinetic semiotics (Van Leeuwen, 2021) and postdigital embodiment (Otrel-Cass, 2023), this research analyzes the VR movie Clouds Over Sidra (2015), created in collaboration with the United Nations. The film offers a poignant glimpse into the experiences of Sidra, a refugee girl, as she navigates life within a refugee camp, including spaces like her school, play areas, and her family’s tent. Data was collected from 15 participants through videographed physical and virtual interactions, complemented by follow-up reflective interviews. This integrated framework enables the examination of how virtual spaces of suffering can be experienced as sites of postdigital embodiment, mediated by kinetic interactions in both physical and virtual worlds. Findings reveal that participants’ kinetic interactions with VR technology evoke embodied meanings that signify co-evolutionary semiotic adaptation.