Love, Marriage, and Madness: A Cross-Cultural Dance
摘要
This reflective ethnography examines fracture and healing at the intersection of gender, culture, and embodiment in an NGO-run psychiatric rehabilitation center in Kolkata, India. Through the story of Soma Das—a survivor of domestic violence and psychosocial illness—the author explores how dance, labor, and relational presence function as integrative therapies within community psychiatry. At the Parinama shelter, “work as therapy” is a guiding principle, and group dance sessions restore rhythm, dignity, and belonging. Yet the piece interrogates the fine line between healing and discipline in institutional care, where productivity often stands in for wellness. Drawing on feminist psychiatry and cross-cultural frameworks, the author reframes recovery not as symptom remission but as embodied reintegration. By situating psychosocial rehabilitation alongside expressive movement practices, the essay illustrates how integrative care can emerge organically from local rituals of sociality. Healing, in this account, is relational and rhythmic—a choreography of survival that transcends diagnosis and gestures toward wholeness.