<p>The book <i>Philosophy of Lyric Voice</i> explores the value of lyric poetry by examining its use of voice as a central aesthetic feature.Voice is understood as expressive of a perspective—a distinctive way of seeing, thinking, and feeling—and thus lyric poetry is inherently perspectival. Moving beyond traditional literary conceptions of voice, which often limit it to modes of expression like point of view, the book considers voice more literally, connecting it to the ontology and aesthetics of the spoken voice. Through examples from contemporary page poetry and performed poetry, it emphasizes the role of the embodied voice—of the performer, reader, and poet—in shaping the expression of perspective. This embodied voice, tied to a specific body and shaped by its indexicality, offers a richer understanding of perspective in poetry.The book also examines multi-vocal poetry, such as collaborative works or bilingual poetry, as potential counterexamples to the singular perspective typically associated with lyric poetry. These works are shown to express shared perspectives, emerging from negotiations betweenviewpoints. By engaging with multi-vocal poetry, readers can explore the forging of connections between perspectives, enriching their understanding of meaning, communication, and the cultivation of intellectual humility. Together, these insights deepen appreciation for lyric poetry's value.</p>